Taylor Swift: The Eras Tour

Summary

Taylor Swift make some changes to how she perform several songs live inTaylor Swift : The epoch Tourcompared to the studio recordings on the album . After a theatrical and VOD exit , The Eras Tourmovie is finally streamingon Disney+ asTaylor Swift : The Eras Tour ( Taylor ’s Version ) . With the add-on of four antecedently curve song from the theatrical handout and four incentive acoustical Song dynasty , there is a total of48 strain inThe Eras Tour ( Taylor ’s Version)movie , many of which Swift performs slimly other than than the studio recordings on her record album .

Of of course , if they ’re not commonly played acoustically , the surprisal Sung and bonus acoustic songs inThe Eras Tour ( Taylor ’s Version)don’t phone the same as the studio apartment recordings . Swift also shortens or condenses a number of song on The Eras Tour ’s 40 + song set list , which is already over three hours long at the springy shows . However , there are some more unique and noticeable changes Swift get to to several songs while performing them live inThe Eras Tourmovie , whether she ’s adding , move , blending , or repeat a lineage , or simply altering the style she sings a lyric .

Taylor Swift : The Eras Tour ( Taylor ’s Version)is useable to stream on Disney+ .

Taylor Swift The Eras Tour Movie Poster

Even though Taylor Swift : The Eras Tour ( Taylor ’s Version ) is three and a half hour long , some of the Swifties ' favorite songs are still drop .

10Blends “Miss Americana & The Heartbreak Prince” With The Intro Medley & Repeats Lines

The Lover Era

As the possibility number of not just theLoverera , but the entire Eras Tour as a whole , Swift made several changes to " Miss Americana & The Heartbreak Prince . “The last lyric of the pre - Greek chorus , " it ’s been a long metre coming , " repeats throughout the intro medley , which consist of lyrics from different song containing the title of one of her albums , i.e. " big report " from " Endgame " or " into folklore " from " gold hurry . " Swift then suddenly appears onstage from behind thelarge tapestriesas she sings " it ’s been a long time coming , but … " before babble out the full chorus .

Swift opens with theLoverera and this tune in particular on The Eras Tour since this show had been " a foresighted clock time coming . “Before embarking on The Eras Tour in March 2023 , Swift had released four record album since she last toured withreputationin 2018 , the first of which was 2019’sLover .

Swift only sing the refrain of " Miss Americana " before greeting the gang with " Oh hi ! " and like a shot transitioning into " Cruel Summer . " However , before " Miss Americana " terminate , Swift sings the first part of the final line of the chorus , " vote most likely to run off " doubly , flourish at the audience in between each partial product line . She elongates " away " both metre and changes the eminence the second prison term before finally sing the last two Good Book , " with you . "

Taylor Swift smiles in The Eras Tour movie against a backdrop of music notes.

Custom Image by Yailin Chacon

Throughout The Eras Tour , Taylor Swift visits all of the dissimilar eras that she create across her impressive melodic vocation .

9Does A Spoken Intro For The Bridge & An Extended Outro On “Cruel Summer”

Swift head right into " Cruel Summer " following the " Miss Americana " chess opening and audience greeitng inThe Eras Tourmovie . After the 2d chorus , Swift aim a meter before speaking straight to the audience , informing them that they " have arrived at the very first bridge deck of the evening . " She proceeds to ask , " does anyone here do it the lyric to this bridge ? " then assure them to " raise it ! " before ruffle down the stage while singing the nosepiece .

At the end of the song , Swift extends the outro by reiterate : " Cruel summer with you , with you , with you . "

This spoken presentation for the iconic " Cruel Summer " nosepiece is n’t the only change Swift makes to theLovertrack inThe Eras Tourmovie . At the end of the song , Swift stretch forth the outro by repeating : " Cruel summer with you , with you , with you . It ’s a cruel summer with you , with you , with you . It ’s a cruel summer . " With these additions and the fact that she performs the song in full,“Cruel Summer " is one of the only songs on set listing that Swift really make longer instead of shorter inThe Eras Tourmovie .

Taylor-Swift-Eras-Tour-Movie

Taylor Swift: The Eras Tour is a film rendition of the colossal worldwide event that sees the legendary pop star hit the stage in a specially curated film event. Performing the hits of her over seventeen-year career in music, The Eras Tour highlights Taylor Swift and her team as they put on a show of a lifetime.

8Shouts “Let Me See Your HANDS!” On “You Need To Calm Down”

Yetanother song from theLoverera that Swift made some change to is " You involve To simmer down Down . " Like a numberof songs on The Eras Tour hardening leaning , Swift shortened " You Need To settle down Down " quite a bit inThe Eras Tourmovie . rather of starting from the beginning , she skipped straight to the second verse and finish the rest of the song from there .

As the chorusof " oh - oh"s transitions into the hooking on " You ask To Calm Down,“Swift shouts " allow me see your HANDS ! "

While she may cut out the first half of the song , Swift does add one line to the last chorus of " You call for To Calm Down " in the form of a petition from the consultation . As the chorusof " oh - oh"s conversion into the hook on " You Need To tranquil Down,“Swift shouts " let me see your hand ! " The audience gayly complies and starts wave their arms from side to side with Swift andThe Eras Tour backup dancersas she sings the residuum of the last chorus .

Eras-Tour-Taylor-Swift

7Does An Extended Intro & Post-Bridge Instrumental Breakdown On “Willow”

The Evermore Era

On The Eras Tour , theevermoreera opens with " ' tis the damn time of year , " which was replace during thefilming ofThe Eras Tourmoviewith " no body , no crime , " sport open deed HAIM . However , since " no torso , no crime " was still excluded fromThe Eras Tour ( Taylor ’s Version),theevermoreera opens with " willow tree " inThe Eras Tourmovie instead , which features an extended intro . The issue start with a chorus of hum before Swift and her backup dancers appear amidst a brumous , drear timberland , dressed in obscure green cloaks standardised to those wear in the " willow tree " euphony video recording .

fleet proceeds to slowly and hauntingly narrate the first language from the third verse , " wait for the signal and I ’ll take on you after dark,“which create an sound reflection asshe dramatically flips her cloak around . The coven of dancers endure in a row behind her , holding mysterious orbs in another nod to the music video . The ball then light up as if on fervor , just like in the video , and Swift begins singing " willow " from the top .

Instead of transition directly into the third verse after the bridge , there is an acute instrumental breakdown on " willow " that does not come about on the record album .

Taylor Swift performs “You Need To Calm Down” in The Eras Tour concert movie.

after , instead of transitioning directly into the third verseafter the bridgework , there is an intense implemental breakdown on " willow " that does not occur on the album . Swift ’s social dancer gather around in a circle and dance with their glowing orbs . Swift stands in the center , gesticulate to the measure of the instrumental as if controlling the dancers ' orbs with a piece before finally launch into the third verse .

The absence of one song in Disney ’s The Eras Tour movie hides the reason why " ' Tis the Damn Season " is missing from Taylor Swift ’s take setlist .

6Performs A Note Change On The Extra Refrain Of “…Ready For It?”

The Reputation Era

To spread thereputation era , Swift used the same orifice track from thealbum and opening number from the 2018 Reputation Stadium Tour , " … quick For It ? " This hype vocal contains two chorus , one after the second chorus and one after the third and terminal chorus , in which Swift repeats " baby , let the games begin . " On the album version , she repeat this line three sentence before cast in the hook , " are you ready for it ? " on the second chorus , then recites this quatrain once more . InThe Eras Tourmovie , she double the full second refrain of " … Ready For It ? "

On this extra refrain at the end of " … Ready For It ? " , Swift raises her voice to a higher pitch on the watchword " begin " in the first quatrain . It ’s a small distinction change , but it ’s something diehard Swifties andreputationfans notice immediately . Swift also did this specific banker’s bill change on " … Ready For It ? " on the Reputation Stadium Tour , so it ’s also a nostalgic recall to that era for fans .

5Blends The Hooks Of"Don’t Blame Me” & “Look What You Made Me Do”

During thereputationera inThe Eras Tourmovie , Swift do a contract version of " Do n’t fault Me . " After the first chorus , she skips direct to the bridge , which she then partially reduplicate . fleet and her backup Isaac Bashevis Singer end up the strain with the creed - like crack-up and final chorus as usual .

Every third note , Swift blends " do n’t blame me " with the statute title of the next song , " Look What You Made Me Do . "

However , rather than sing the veritable outro , she starts repeat the hook alternatively . Every third line , Swift blends " do n’t fault me " with the title of the next song , " await What You Made Me Do . ““Don’t blame me , do n’t pick , do n’t blame me for what you made me do , " Swift sings with fierce intensity , before transition into " Look What You Made Me Do . "

Taylor-Swift-Concert-Eras-Tour-Movie

Taylor Swift ’s Eras Tour movie is filled with reference point to other here and now in her life history that elevate the air and discernment of every era .

4Performs A Note Change On The Lyric “Take Her Home” On “The 1”

The Folklore Era

After the " Seven ( Interlude ) " on The Eras Tour , which is lamentably still one of thetwo song still missing fromThe Eras Tour ( Taylor ’s Version)movieon Disney+ , Swift perform the opening caterpillar track fromfolklore,“the 1 . " Swift lays on the roof of the famousfolklorecabin as she musically reminisce about a retiring lover who could ’ve been " The One " had thing gone differently . In a line on the second verse , " you play some womanhood on the net and take her home,“Swift changes the note on " take her home , " elongating the words and cast more emphasis on the " take . "

There are some central differences between Taylor Swift : The Eras Tour ( Taylor ’s Version ) on Disney+ and the concert movie ’s theatrical release .

3Yells “Loudest Woman This Town Has Ever Seen” On “The Last Great American Dynasty”

A few songs later in thefolkloreera , Swift performs " the last great american dynasty , " which she wrote about a existent woman named Rebekah Harkness whose Rhode Island Holiday House Swift bought in 2013.Swift drop most of the song explaining Harkness ' notoriety as a flush , widowed socialite , allot to fable , by speaking from the perspective of outsiders and gossipers .

At the very end of the nosepiece , Swift throw to speaking about herself from the linear perspective of the general world , draw parallels between Harkness ' reputation and legacy and her own . “There goes , " Swift begins on the last chorus , before increasing the intensity in her voice and yelling , " the LOUDEST WOMAN THIS TOWN HAS EVER SEEN ! " On the first two choruses , Swift used " maddest " and " mostshameless " to cite how others draw Harkness , but change it to " gimcrack " for herself .

2Performs A Note Change On The Repeated Bridge Of “Illicit Affairs”

Yet another song in thefolkloreera that Swift flip-flop up a bit inThe Eras Tourmovie is " outlawed affairs . " After singing " august " in full , her face cut down as the music take off to become more intense . Swift then jumps flat into the emotionally charge bridge of " illicit affairs,“crying out , " do n’t call me kid , do n’t call me baby ! "

After singe the " illegitimate liaison " nosepiece as usual , Swift drop to her knees and repeat the bridge in full .

Swift ’s mash - up of " august " and " illicit affairs " inThe Eras Tourmovieisn’t the way she changes the latter strain , though . After singing the " outlawed liaison " bridgework as common , Swift drops to her knees and repeats the bridge in full , during which she performs several note variety . She stresses " ca n’t see " on the line , " you showed my colors you know I ca n’t see with anyone else , " and emphasise " small fry " and " child " on the second delivery of " do n’t call me kid , do n’t call me babe ! "

reputation during the Eras Tour

The fashion Swift do both rounds of the " illicit affaire " bridge is noticeably different from the studio apartment transcription on thefolklorealbum . She sings the heart - wrenching lyrics with even more exasperation and devastation , making thesong even better inThe Eras Tourmovie than on Swift ’s album . After the double - nosepiece , Swift performs the short outro before add the hook , " and that ’s the thing about illicit affairs , " from the chorus .

Some of Taylor Swift ’s songs are even beneficial as live performance in The Eras Tour movie than as studio recordings on their several albums .

1Uses A Different Tone On"The 1950s Sh*t They Want From Me"On"Lavender Haze”

The Midnights Era

Midnightsis the final era inThe Eras Tourmovie , and just like on the album , Swift opens with " Lavender Haze . " On the final chorus line , she echoes the line " no deal " after her backup singers as usual . However , Swift does n’t sing " no deal " in the breathy , high - pitch tone like she does on theMidnightsalbum .

Without strike a pulsation like she does in the studio apartment recording , Swift maintains this style of delivery on the next line , " the 1950s sh*t they want me from me . "

Instead , fleet talk - sings this lyric in a deeper tonicity that more closely resembles her speaking voice . Then , without taking a beat like she does in the studio transcription , Swift maintain this manner of delivery on the next line , " the 1950s sh*t they want me from me . " As she delivers this melody inTaylor Swift : The Eras Tour , Swift wheel her eye at society ’s ridiculous , archaic expectations of her as a modern woman that she references in " Lavender Haze . "

Taylor Swift transitions from “Don’t Blame Me” to “Look What You Made Me Do” during the reputation era in The Eras Tour movie.

Taylor Swift : The Eras Tour is a film rendition of the colossal worldwide event that sees the legendary dada headliner hit the stage in a specially curated film case . execute the hits of her over seventeen - yr vocation in music , The Eras Tour highlights Taylor Swift and her squad as they put on a show of a lifetime .

Taylor-Swift-Disney-Eras-Tour

Taylor Swift singing The 1 on The Eras Tour

Taylor Swift in The Eras Tour concert movie

Taylor Swift performs during the folklore era in The Eras Tour concert movie.

Taylor Swift sings Illicit Affairs during the Eras Tour

Taylor Swift smiles in The Eras Tour movie.

Taylor Swift rolls her eyes while performing “Lavender Haze” in The Eras Tour movie.

Taylor Swift: The Eras Tour