The Raid: Redemption
Summary
The Raid : Redemptionis by far one of the most influential action films to come out of the 2010s , but revisit it today unearths some inauspicious Truth . Coming out of Indonesia , the daring soldierly art film ravish audiences upon its release in 2011 , making a deserving lead out ofIko Uwais , later appearing inThe Expendablesas well as a litany of other famed role . Director Gareth Evans definitively proved himself as a careful action choreographer , craft some of the most piquant fight scenes of the mod day martial arts musical genre while single - handedly popularizing the Indonesian martial fine art penack silat .
Fondly remembered even 13 year later , The Raid : Redemptionwent on to inspire a subsequence , The Raid 2,as well as a developingThe Raidremake led by Michael Bay . That being said , there ’s plenty to criticise aboutThe Raid : Redemptionthat only becomes more obvious once the Adrenalin of the pulse - pounding Indonesian fight movie wears off from a first viewing . Famously , beloved motion-picture show critic Roger Ebert go against the grain with a one - star review article of the film , pointing out some inherent flaws that most critics of 2011 were too blinded by spectacle to remark .
Patrick Hughes ( The Expendables 3 ) offers plot of ground details for his remake of ' The Raid ' , which Hughes says wo n’t recreate the original film ' beat for beat . '
10The Raid Is Extremely Violent, Maybe Unnecessarily So
The martial arts masterpiece borders on snuff film at times
Compared to many other martial arts films , The maraud : Redemptionis certainly not afraid to get its hand pestiferous . Almost bordering on a anguish motion-picture show along the lines ofSaworThe Collectorat times , characters inThe Raidtake beatings like no other action part . Blood and even bits of brainpower subject are prostrate to go flying at the tenuous incitement , and while the glum ignition hides the bad of the carnage , the use of goods and services of nasty improvised weaponry like matchet , axes , and hammer does n’t go unnoticed .
It ’s out of the question to deny that the often superfluous nonrational gore limits the broad entreaty of what could ’ve otherwise been a four - quadrant action moving-picture show .
manifestly , the violence ofThe foray : Redemptionis the primary appeal , so this is a scar in the flick ’s party favor for most who would be interested in watching in the first place . But it ’s unacceptable to deny that the often supererogatory visceral gore fix the broad appeal of what could ’ve otherwise been a four - quadrant action movie , keeping the slightly nice at the gate of entry . One drawn - out killing involve a broken tube-shaped structure brightness feels particularly out of seat , demonstrating how the pic seems to almost uncomfortably revelry in the afflictive death of its baddie .
Custom Image by Yeider Chacon
9The Raid Doesn’t Have Much In The Way Of Story
Hardly an attempt is even made to give context to the action
Essentially afilm comprise of one big fighting shot , The maraud : Redemptionis utterly relentless in its pursuit of action purity . too soon on , it ’s made clear in no uncertain condition that the stage dancing and martial arts art on display are the real stars of the show , with any attempt at a narrative taking a remote backseat . Again , this is n’t an issue for many of the fillm ’s most adamant fans , but it ’s concentrated to wonder whatThe Raid : Redemptioncould have been if more guardianship had been put into this area .
The simple premiss of a building fulfil to the brim with dangerous criminals is as much of a vehicle as the film ’s fantabulous stunt work and hand - to - hired man competitiveness scene need to proceed , butThe foray : Redemptioncould’ve been so much more . Plenty of other films are capable to equilibrate action at law with genuinely compelling story relation , and choosing to outright desolate one for the sake of another always ensue in the flavour that something was leave behind on the table . The Raid : Redemptionis certainly a groovy action movie , but the right story could ’ve elevated it to a unfeigned chef-d’oeuvre .
8The Explanation For The Inconsistent Use Of Firearms Is Weak
Overly-sadistic gang members don’t provide compelling arguements
The foray : Redemptionseems to be dead trapped in its modern - day time period . The picture show desperately wants to get its characters to engage in hand - to - helping hand armed combat , but must first circumvent the reality that most real - life gang fights in the current age are fight with hitman rather than fists and blades . The Raidcertainly has its fair part of gun engagement , but when the photographic film wants its characters to disregard efficiency for the interest of sporty melee combat , the explanations do n’t always stack up .
Sometimes , the bloody-minded preferences of the gang member are the only excuses given as to why guns are n’t used . One fighter even directly says as much , extend as far as to remark " compress a induction ? That ’s like rate takeout . " On the law ’s side , the drawn - out fights and commodious lack of accompaniment are the principal justification needed to artificially bring forth the circumstances needed for a series of increasingly unbelievable hand - to - bridge player affaire d’honneur .
7Some Of The Battle Tactics Make No Sense
Strategy wasn’t high on the minds of The Raid’s leaders
Though Rama may be one ofIko Uwais ' best martial artistic production roles , he is n’t exactly the loss leader of his social unit , much to the dismay of their overall tactical efficiency . That honour instead goes to Joe Taslim ’s Lieutenant Taka , who makes the confounding decision to dive head - first into the struggle by setting up the bloody raid in the first place , all the while sporting a bright - colored mutant shirt sure to make him a posing for Tama ’s marksmen . But it ’s Tama himself who makes some of the biggest tactical foul-up in the plastic film .
Upon getting tipped off that the titular raid was coming , Tama ’s response was to board himself up on the top trading floor , simply allowing the law to slowly infringe upon his district rather than mount an active assault or retreat . This sorting of picture game logic is handwaved byThe Raid : salvation , and gets difficult to disregard after the honeymoon phase of a first viewing . Tama only does this so that he can be a " genus Bos encounter " at the destruction of the picture , breaking all semblance of logic to survey the structure of the film ’s rising activity .
6The Raid Falls Victim To “One At A Time” Group Fights
Rama’s nameless enemies fall prey to a classic movie henchman trope
The everyman police force hero is capable to tear through legions of gangsters like they ’re nothing , coming out on top despite all odds being stacked against him .
Rama is undeniably one of the greatest fighters to ever grace the screen of a forward-looking - day activeness film . The everyman constabulary hero is capable to tear through legion of gangsters like they ’re nothing , coming out on top despite all odds being stacked against him . That being said , the lean choreography and impressive physicality of the actors are countermine by an irritating martial artistic production movie trope that maintain matter the odds in Rama ’s party favor .
often , Rama finds himself facing a horde of antagonist that wind up facing him one at a clock time , rather than dogpiling him all at once . Just as he ’s finished with one goon , another will have just been quick to round the quoin , supplying him with a firm watercourse of faceless jobbers to put the hurt on . For as sassy asThe Raid : Redemptionis with its conflict scenes in most regards , it ca n’t seem to help itself from fall prey to this particular trope with at least occasional regularity .
The Raid, released in 2012, follows an elite SWAT team as they attempt to infiltrate a fortified apartment block in Jakarta to apprehend a notorious drug lord. Led by martial arts star Iko Uwais, the team faces relentless adversaries in a battle for survival after their cover is blown.
5The Raid’s Characters Are Undeveloped
Rama and company are little more than their fists
Even if many others of thegreatest action filmshave similarly bare - bone stories , likeThe maraud : Redemption , there ’s one category other straightforward combat films are capable to cop that Gareth Evans ' pearl - crunching play is n’t capable to peg . That is , the part ofThe Raidare woefully undeveloped , even by natural action movie standards . For as threadbare as the stories of their respective films may be , action hero likeDie Hard ’s John McCLane or John Wick do at least have readable personality .
Meanwhile , Rama and his cohorts have strikingly fiddling character trait to offer audiences to latch on to beyond being keen fighters . Wordless fit of Rama ’s practice session of Islam or his significant wife vaguely relate on more interesting expression of his fiber , but these threads are left hang so that the action can once again summarize . With little personality at free rein beyond " stoical law officer " or " tearing gangster",it ’s severe to insist that the characters ofThe Raid : Redemptionare particularly memorable .
4Rama And His Brother Both Walk Away
It’s hard to feel satisfied by the resolution of Rama and Andi’s story
One of the biggest narration cruxesThe Raid : Redemptiondoes decide to inject into its activeness - compact runtime is the sudden introduction of Rama ’s long - lost pal , Andi . Andi is disclose to have vary path with his brother long ago , having taken to the animation of a felon without any intent of yield up any time soon . He says as much when he and Rama part way just after reuniting for the first time in years , quickly leaving each other in the carnage of the foray .
The Raid 2reveals that Andi dies not soon after the events of the first film .
Rama and Andi thread up forming a brief alliance , taking down the infamous mobster Mad Dog in a tag team fight . Yet by the prison term the credits range , Andi and Rama are no closer to reconciling or face up each other . It ’s hard not to feel like the transmitted U-boat - game does n’t scent up going anywhere , with visions of a climactic confrontation between sibling or the ultimate rehabilitation of Andi thrown out the windowpane in favor of a continuation tease . To make matters worse , The Raid 2reveals that Andi die not soon after the event of the first flick .
3The Localization Isn’t The Best
For having a Welsh director, The Raid has yet to be optimized for English
The foray : Redemptionhas a unusual status as aforeign spoken communication filmby an English - speaking director , Gareth Evans , who wisely made the decision to base the film in the lyric native to his lead . The cast all turn in solid enough performances , but the options for displacement seem to have left much to be desired . Adjoining the gap between ethnical differences and spoken communication translation with localization is never gentle , but none of the options forThe Raid : Redemptionpresent dialogue that ’s altogether natural - sounding in English .
Many of the final parentage provided by both subtitles and dubbed - over public presentation inThe Raid : Redemptioncan’t serve but feel poorly translated . Depending on the interlingual rendition of the film , nonsensical dialog is stock . This order from Rama ’s orison turning into " You require to breathe because of both " with no further context to Jaka describing Mad Dog as an " Enthusiast that using a fist and feet that broke the walls of his master . “The Raid : repurchase ’s rendering sorely needs another base on balls .
2Characters' Toughness Breaks Suspension Of Disbelief
The Raid might as well be filled with superhumans
The bally spectacle ofThe Raid : Redemptionis blow up by some astounding injuries . The rate at which eccentric in the flick are capable to shrug off flagitious wounds and jump back into the fray is nothing short of mind - blowing , often veering into the realm of impossibility . The unmingled surrender of respite of disbelief the otherwise grounded and gritty film call for when showing off these outrageous injuries , at last amounting to nothing , is sometimes nearly enough to remove the viewer from the experience entirely .
By far the most egregious example is the tenacity of Mad Dog in his final engagement , in which he ’s dedicate a wince - inducing stab to the neck opening with an improvised weapon system that ’s left to simply maturate and bleed out . The wound stop up being little more than an pain in the neck for the mythically elusive mobster , who go on to fight with a real piece of shrapnel sticking out of his carotid arterial blood vessel . He ’s far from the only one to parade superhuman degree of survival , as Rama himself continues to fight for hours despite injuries that would put a mere deathly out of charge .
1The Raid’s Editing Pace Isn’t For The Faint At Heart
The film walks a thin line between fast-paced and overwhelming
In any good action movie , the redaction of the fight scene becomes just as much of a participant as the doer , stunt performers , and camera , guiding the centre through flurry of blows . The maraud : Redemptioncertainly thrives on this precept , but ca n’t aid but establish momentum to its own detriment at multiplication . The blistering pace of the combat inThe Raidoccasionally gets outpace by the frequency of cuts .
In the modern day of superhero movies with hyperbolic figure of cuts for even simple action successiveness , efforts of soldierly arts films with far more measured shot - by - snapshot blocking deserve more tending . DespiteThe foray : Redemptionactually inspiring superhero fights , the motion picture seems to have also taken some of their worst habits when it come to editing , flinging rent - second image of smash skulls and busted bones whizzing past viewers before they can comprehend it . This signify that it ’s tragically easy to suffer some of the meticulous detail ofThe Raid : Redemption ’s best fight scenes .
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Cast
The Raid , free in 2012 , follows an elect SWAT squad as they attempt to penetrate a bastioned apartment pulley block in Jakarta to apprehend a notorious drug lord . Led by warlike humanistic discipline adept Iko Uwais , the squad faces persistent adversaries in a conflict for natural selection after their cover is gasconade .
