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Summary
Christopher Nolanis rumored to be working on a big - budget movie adaptation ofThe Prisoner , but a TV cataclysm from 15 age ago proves it ’ll be a challenge to bring this story to the big concealment . The Prisoneris a dreamlike , short - lived furor classic British sci - fi serial from the sixties about a private agent stranded on a mystifying island . After winning Best Picture and Best Director forOppenheimerat the Oscars , Nolan has the freedom to make whatever motion picture he wants – but this particular project would be tough to pull off .
Nolan has been reportedly interested in pull in a movie version ofThe Prisoneras far back as 2009 ( and in the meanwhile , Ridley Scott was in talk to take over the movie version of the serial publication ) . Now thatOppenheimer ’s Oscars successhas solidified his position as the most venerable theatre director in Hollywood , he has a just chance than ever of start the project off the ground . But a fatal attempt to rebootThe Prisonerover a 10 ago proves that revamp this serial will be a lot easier said than done .
The Prisoner Was Remade In 2009 - And Failed
There was an attempt to remakeThe Prisoneras a six - part miniseries in 2009 . The reboot was a co - production between the British television channel ITV and the American cable electronic web AMC . Like the original , the remaking revolved around a undercover agent waking up in a unknown picaresque settlement from which he could n’t scat . The miniseries starredThe Passion of the Christ ’s Jim Caviezelin the lead function of Number Six alongside a scene - stealing , Emmy - nominated Ian McKellen as Number Two ( a office that switched hired hand between various node stars in the original show ) .
The miniseries ’ reinvent resolution of the mystery felt like a let - down after all the build - up .
The remaking ofThe Prisonerreceived mixed reviews on its dismission in 2009 , with most critics complaining thatit was nowhere near as weirdly captivating as the original serial . The visuals were n’t as bizarre as the original ; they were frustratingly tame by comparison . Plus , the miniseries ’ reinvented resolution of the enigma felt like a get - down after all the build - up . The critical response was n’t 100 % negative , but it was n’t even close to a positive enough receipt to be worth remake a classic and tarnishing its legacy . This does n’t bode well for a potential movie adaptation , even with Nolan at the helm .
Making The Prisoner Work In A Modern Remake Would Be Nolan’s Biggest Challenge
If Nolan does make a movie version ofThe Prisoner , the biggest challenge would be updating it for a modernistic consultation ( and possibly a mod setting ) . Nolan ’s pic would obviously be in force than the TV remaking – that ’s a feed – butwhetherThe Prisonerfundamentally works as anything other than a cult ‘ LX show with a miniscule budget is the crowing question . Not everything is become to the big - budget picture treatment . The Prisonermight be one of those story that lose its someone when the production value gets too overweening .
The advanced earthly concern , with all its cell telephone and the availableness of the internet , is n’t suited to this kind of enigma plot line . Today , with all the convenient technology at humanity ’s administration , it would be a lot easier for Number Six to figure out where he is and why he ’s there . The strange and offbeat original series was the perfect level for the paranoid ‘ 60s , but it might not land today .
The original adaptation ofThe Prisonerran for 17 episodes from September 1967 to February 1968 .
Why A Christopher Nolan Prisoner Movie Is Still Exciting
Whether or not Nolan can turn a picture show adaptation ofThe Prisonerinto the nextOppenheimer , or whether or notThe Prisoneris even suited to the big - screen treatment , a Nolan - helmedPrisonermovieis still a really exciting vista . For starter , the premise and tone of the series are right on up Nolan ’s back street . InThe Prisoner , much like in Nolan ’s most iconic films , nothing makes horse sense and nobody explain anything . It just drops its audience right into the midst of the mystery and leaves them to calculate it out for themselves , which is classical Nolan .
Nolan is such a bright director that he never make a truly bad movie . Even Nolan ’s most dissatisfactory and overambitious films , likeTenetandInterstellar , are still a mesmerize cinematic experience . Tenetis a baffling mess that have too much mental gymnastics to explicate fourth dimension - traveling heater , whileInterstellaris a clunky mixture of Kubrickian coldness and Spielbergian mush , but they both still have plenty of head - bend set - pieces and breathtaking imagery in spades . WhateverChristopher Nolandoes withThe Prisoner , it would be something special .
