We Were the Lucky Ones
Summary
One of the most excited and intimate explorations of the Holocaust is cause its path to the screen withWe Were the Lucky Ones . The Hulu miniseriesserves as an adjustment of Georgia Hunter ’s New York Times bestselling novel tell the story of the Kurcs , a Jewish family in Poland who observe their glad lives deracinate when Germany invades the country , kick off World War II . The family subsequently find oneself themselves spread out , with some taking dangerous route to escape the country while others are immobilise in Poland or elsewhere .
We Were the Lucky Oneshas been developed by Erica Lipez , a fecund talent in the TV humanity thanks to her oeuvre on Apple TV+‘sThe Morning Show , thePsychoprequel showBates Moteland Max’sJulia . Three - sentence Emmy winner Tommy Kail , well bed for helm the FXFosse / Verdonbiographical show andfilmedHamiltonproduction , also start the directing team and executive produces the show .
Hulu continue to be a big player among streamers with the arriver of newfangled original programming along with classic movies and TV shows in November .
in advance of the show ’s premiere , Screen Rantinterviewed Lipez and Kail to discussWe Were the Lucky Ones . The duo reverberate on getting early copies of Georgia Hunter ’s novel and being captivated by it , their effort to authentically separate her family ’s account , the cast process and blend the menses setting with more advanced esthetics .
Lipez Read ThroughWe Were The Lucky Ones"In 24 Hours"
Screen Rant : I am very excited to chat with you both for this show . It is very powerful , it is very important for today ’s society . Erica , I ’ll start with you . What was it about Georgia ’s book that really speak to you to want to help adapt it for the CRT screen ?
Erica Lipez : When Tommy give me Georgia ’s book , I read it in 24 hours . I could n’t put it down , it was one of the most emotional and propellant reads I ’d ever experienced . And I just fell so deeply in beloved with the family . I think as a Judaic woman , I really relate to this family , I saw my own family in them . But I also felt like , as somebody who had a pretty good education about that period of time in the Holocaust , this was a perspective on it , I had never seen before .
Through this very intimate lens of this family . We go all over the world , four Continent , nine year , and it felt like such an epical story to have the luck to adapt . And we know it would be extremely hard , but it matt-up like a once - in - a - lifetime opportunity . So , we rig about to examine to do it , and here we are . [ Chuckles ]
Tommy Kail : Apparently we did it , because here we are , we ’re speak to you . We made it , Grant . [ Laughs ]
Tommy , what was it like crafting the look of this show ? Because it feels very much set in that period , but also feels very innovative at the same metre .
Tommy Kail : What a grand thing to discover , that means a lot , because we spoke about this constantly with Georgia . And then , we were putting the world together with our film director of motion-picture photography , Timmy Ives , with James Merifield , who did our product pattern . All across the board , with Lisa in costumes . One of the thing we actually speak about really early on was , " How do we make this feel like we ’re wear thin wearing apparel , not costume ? How do we take all the dust off of anything that could be possibly adhering to a news report that could make it , ' Oh , that ’s over there . That ’s then . ' " We wanted this to feel urgent , we wanted it to sense vital and vivid .
One of the things we talked about a draw was photographs from the fourth dimension often become sepia toned , or black and white , because of the technology . But the emotional feelings were in full color , so we require to attempt to fork over it in full color . And that ’s something that we worked really intemperate to do in this design team across the instrument panel , from the airscrew section on every detail . And in every moment , we had to endeavor to give an actor something that much more specific to hold on to to make the performance that productive would , we also knew , build a bridge and allow it to feel like something that could link up to hearing today .
Lipez & Kail Knew They “Had To Build A Family” In The Casting Process
With how deep of a connection you both had to this narration , and to these characters , who would you say was the most of import in the cast operation , considering we have different intimate looks at each one ?
Erica Lipez : Well , what we were trying to do with this serial publication was the house is everything , so we knew we had to build up a family . The first masses that sign on to the undertaking were Joey and Logan , and the two of them were just so passionate about it and running towards it . I think they have that [ thing ] Tom was talk about , [ they ’re ] people who could so genuinely limn these character , but they also finger so present and human and connected to the moment that I think it really help bridge over that gap between then and now .
And then , beyond that , we did a very extensive casting process with our brilliant molding director , Fiona Weir . We just acknowledge we ask to determine unbelievable worker on screen , and incredible humans off screen , and interpersonal chemistry on blind and off would be significant with this grouping . So , we took our clip , and we rule truly the most magical group of people I ’ve ever figure out with . It ’s a very connected and loving group . If you get a chance to forgather all of them , you ’ll see they all really love each other . You wo n’t get a parole in edgewise if you meet them all as a mathematical group . That ’s the only problem . [ Laughs ]
Tommy , did you have anything you need to add to that question about the cast appendage ?
Tommy Kail : The only thing that pop to mind was you know this thought of the character that Logan make for and the character that Joey act were matching souls . They were born on the same day , yr asunder , and Joey and Logan have known each other just from around . They did not work out together other than they did Bullet Train together , but not in a really familiar room .
But there was something that the two of them shared that matt-up mysterious , and already something that sort of scratched up that kind of sibling honey . I imagine Erica and I are both really interested in recount stories about sibling lovemaking . It ’s one of the less expressed , but I think deepest , H. G. Wells to seek to plumb . And Georgia ’s book and this family hold us an opportunity to do that .
AboutWe Were the Lucky Ones
Based on Georgia Hunter ’s New York Times bestselling novel , the video adjustment of “ We Were the Lucky Ones ” is a circumscribed series cheer by the unbelievable straight account of one Jewish family severalise at the start of WWII . The series follows them across continents as they do everything in their power to exist , and to reunite . “ We Were the Lucky Ones ” certify how in the face of the twentieth century ’s darkest moment , the human spirit can persist and even thrive . The series is a tribute to the victory of hope and love life against all odds .
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We Were the Lucky Ones begins stream on Hulu on March 28 .
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base on the novel by Georgia Hunter , We Were the Lucky Ones is a 2024 drama - story television set series created for Hulu by Erica Lipez . The celluloid follows a Polish Jewish family who examine to determine one another decades after the aftermath of World War II .
