Summary

Marvelhas been honoring its publication chronicle of late in books including the currentImmortal Thorongoing , and theBeware the Planet of the Apesprequel miniseries , by incorporating stories and images from vintage comics into their modern-day titles . Considering the wonderful legacy ofStar Warscomics published by Marvel through the late seventies and early ' 80s , they should perfectly use this technique in a galaxy far , far away .

BeforeStar Warseven strike theaters in 1977 , Marvel had begin publishingits originalStar Warscomic leger version . Subsequently , Marvel’sStar Warsongoing serial went past the end of the first film , generating some of the early Expanded Universe stories .

Current Marvel series likeImmortal ThorandBeware the Planet of the Apesare already reaching back to the late ' 70 and ' 80s , paying homage to classic level bang and love by audience , and reimagining the traditional knowledge of their respective franchises for modern-day readers . Marvel ’s originalStar Warsrun run for over one hundred issues until 1986 , give way the company a wealth of opportunity to do the same .

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A forgotten Star Wars Legends character from the original Marvel comics in the seventies and 80s has returned to the coltsfoot in a young comic .

Marvel’s New Comics Are Proving Its Classic Stories Are “Immortal”

Al Ewing’s New “Thor” Revisits Old Tales from Marvel History

Over its first bow , Immortal Thor – write by Al Ewing , with artistry by Martin Coccolo – has set about a terrific recontextualizion of the God of Thunder ’s lore . The footing of this has been a retelling of a stand - alone story from1978’sThor#272 . So far , Ewing and the playscript ’s originative squad have crafted a while - binding narrative ; literally , in the horse sense that Thor ’s allies and enemies alike are using " scald legerdemain " to interact , and at times , interfere with the story as it was first published .

Immortal Thor#6 - 7 diverged from its reservoir material at times so as to tell an engaging , modern story , but for those who have say the classicThorissue , the contemporary story is at its most rewarding when it directly incorporates mental imagery and dialogue from the original version of the story . Immortal Thor#7 in particular reach a zenith with the way old and new elements are skilfully blend in together at every spirit level of the narration , in a measured move that perfectly emphasizes author Al Ewing ’s metafictional themes .

Marvel’s Planet of The Apes is A Blueprint for Integrating Vintage Art

Marc Guggenheim’s “Beware” Is A Franchise Renaissance

By blending classic and contemporary art in such a verbatim way , Beware’screative squad – led by writer Marc Guggenheim and artist Álvaro López – have offered a pattern for how this could be done with futureStar Warsstories .

Marvel’sBeware the Planet of the Apesminiseries is an quick star - in to the original 1968Apesfilm , but it has claim a unique approach path by also comprise panel directly from Marvel ’s eighties adaptation of the first picture , as well as its first subsequence , Beneath the Planet of the Apes . More than just an artistic decision , Beware#2 made this part of the plot as well , as a glimpse of Earth ’s doomsday future shared by two characters . This hasadded an exciting property to the series , elevating it above the level ofa simpleApesprequel .

Byblending classic and contemporaryPlanet of the Apesartin such a direct mode , Beware’screative team – lead by writer Marc Guggenheim and artist Álvaro López – have offered a blueprint for how this could be done with futureStar Warsstories . The two issues ofBeware the Planet of the Apesreleased so far have each initiate with several pages boast condensed panels taken from Marvel ’s earlier funnies ; then , in elusive case throughout each issue , vintage panels have been inserted to emphasize a striking parallel being made in the contemporary story .

Emperor Palpatine laughing maniacally in Star Wars: Episode III - Revenge of the Sith.

It remain to be determined how this will progress over the miniseries ' persist two issues , but so far , the technique has madeBeware of the Planet of the Apes , likeImmortal Thor , one of Marvel ’s most challenging releases of the year – which is saying something , considering theX - Menfranchise is bring an end to five years deserving of swing music - for - the - fences storytelling unlike anything in its story . If nothing else , thePlanet of the Apesfranchise is famed for its untapped potential – making it an ideal experimental background . In other language , Marvel let Guggenheim and López do something play , and it ’s paying off .

Marvel’s Original Star Wars Comics Are Asking For A Modern Re-imagining

Classic Star Wars Art Is Gorgeous & The Stories Are Wild

Marvel ’s earliestStar Warstales came at a time when the extragalactic nebula was an undefined expanse of wide - undetermined soil . As the company considers how to keep tell engaging , interestingStar Warsstories , they should look back to the series ' shaping age , when Marvel laid the foundation for the Legends - earned run average Expanded Universe .

Of course , homage , acknowledgment , and outright appropriation are nothing unexampled to the comic Christian Bible medium . What makes the current trend at Marvel novel , particularly in the wayBeware the Planet of the Apesis engaging with past funnies , is that it bespeak a ontogeny in linear perspective on how new and old takes on property should interact . In a elbow room , it feels like Marvel has fall in love with its classical comics all over again . As it preserve to distinguish progressively strongerStar Warsstories , it should considering revisiting its plastic Expanded Universe tales as well .

In a mode , this trend is a further development of whatJonathan Hickman did withHouse of X / Powers of X.His enlace 2019 miniseries not only bring up theX - dealership , it redefine it forever . In the long term , it also proved to Marvel that narrative risk - taking was worthful . That aver , tellingStar Warsstories – canon or otherwise – in the mode of its Graeco-Roman originalStar Warsrun , would n’t be much of a risk for Marvel , or Disney . Fans ofStar Warscomics , especially those who are familiar with the ' 70s-80s Marvel era , it would be an immediate must - scan .

Diego Luna as Cassian Andor in Andor season 2

Star Warshas always beenone of Marvel ’s most authoritative franchises , and in a way their reacquisition of the rightfield to the dealership was like a homecoming . Some elements of their old tarradiddle have already found a wayinto the newStar Warscanon , but there is so much rich , dense textile left to be mine of lore , imagery , and plot . Marvel ’s earliestStar Warstales came at a time when the galaxy was an vague sweep of wide - open dominion . As the company turn over how to keep telling engaging , interestingStar Warsstories , they should look back to the series ' formative days , whenMarvellaid the foundation for the Legends - era exposit Universe .

Star Wars Heroes in Marvel Comics Cover Art

Han Solo fights Crimson Jack on the cover of Marvel’s Star Wars (1977) #15

Star Wars