A Fistful of Dollars
Summary
Clint Eastwood smokes a lot of cigars inA Fistful of Dollars , but the player in reality despise them . Directed by Sergio Leone in 1964 , this flick mark the beginning of the " Dollars Trilogy " and catapulted Clint Eastwood into external stardom . Its narrative , inspired by Akira Kurosawa’sYojimbo , follows a slick drifter , known as The Man With No Name , who pit two rival kinfolk against each other in a townspeople torn by greed , superbia , and retaliation . Eastwood ’s depiction of the laconic torpedo redefined the original of the Western hero , blending stoicism with a shadowed moral reach .
Before donning the iconic poncho and stepping into the stale street of San Miguel , Clint Eastwood was principally known for his part asRowdy Yates in the TV seriesRawhide . This role showcased his rugged charm and set the groundwork for his persona as a taciturn outsider . However , it wasA Fistful of Dollarsthat transitioned Eastwood from a television actor to a cinematic icon , despite the initial skepticism around the low - budget Italian production . His personation of The Man With No Name was distinct from the unclouded - cut human body that dominated the genre before , and the cigars helped form that mold .
Sergio Leone ’s Dollars Trilogy with Clint Eastwood include the Spaghetti Westerns A Fistful of Dollars , and The Good , the Bad and the Ugly .
Clint Eastwood Said The Cigars He Smoked In A Fistful Of Dollars Were “Vile”
The Actor Chose To Smoke Virginia Cigars Based On Their Appearance
The Man with No Name ’s cigar smoke is one of the character ’s define trait , symbolizing his toughness and tacit demeanor . However , Clint Eastwood was far from comfortable with this aspect of his character . Eastwood , a well - get it on non - smoker ( viaJR Cigars ) , found the experience of smoking cigars especially unpleasant . He prefer a specific brand of cigars for the role , aiming for visual genuineness in the Western background , but was unprepared for their rough taste . Eastwood ’s choice , Virginia cigars , were selected for their visual aspect rather than their flavor , leading to an unexpectedly bitter experience for the doer . Eastwood reveal ( viaIndependent ):
" I also went out and bought a crowd of cigars that I mean would look good in a Western . I had no idea they ’d savor so vile ! But I brought those along with me and I gave them to props and we reduce them all up . They were retentive cigar , phone Virginia . I made a slew of them that I impart around in my pouch : different distance to match up with different scenes . "
Eastwood ’s commitment to the role meantenduring the " offensive " taste of these cigars throughout shoot . His preparation for the case extended to personalise the lengths of these cigar to match various vista , a testament to his commitment to legitimacy . Yet , this experience underline Eastwood ’s antipathy to smoke , highlighting the contrast between the actor ’s personal orientation and his character ’s iconic image . Eastwood ’s discomfort with the cigars adds a layer of complexness to his enactment of The Man with No Name , illustrating the length to which he went to embody the rugged gunslinger .
Custom Image by Stephen Barker
The studio considered a variety of famed actors before choosing Clint Eastwood as The Man with No Name for Sergio Leone ’s Dollars Trilogy .
Sergio Leone Loved Eastwood’s Wardrobe Choices For A Fistful Of Dollars — Except The Poncho
Leone Sourced The Poncho Seen In The Movie From Spain
Clint Eastwood ’s visual representation inA Fistful of Dollarswas largely ego - curated , reflecting his understanding of the character ’s burden . Leone hold Eastwood the freedom to choose his press , a conclusion that contributed significantly to the creation of The Man with No Name ’s fabled ikon . Eastwood ’s selection included various lid and ponchos , the latter becoming an emblematic piece of the character reference ’s attire . However , the original poncho selected by Eastwood was vetoed by Leone , leading to the selection of a different poncho source from Spain ( viaThe Man with No Name ) .
This art object of wardrobe , though not ab initio select by Eastwood , played a crucial role in fix the character ’s silhouette and adding to the mystique of the soundless gunslinger . Leone ’s decision to pick out a different poncho highlights the collaborative nature of the character ’s ocular design , combine Eastwood ’s sight with Leone ’s directorial oversight . The final look became iconic , contributing significantly toA Fistful of Dollars’aesthetic . The achiever of this closet choice highlight the importance of visual storytelling in cinema , exemplify how a unmarried garment can capsule the essence of a type and leave an unerasable mark on popular culture .
Sources : JR Cigars , Independent , The Man with No Name
A Fistful of Dollars is a spaghetti Western film from director Sergio Leone starring Clint Eastwood. A Fistful of Dollars is notable for being Clint Eastwood’s big break in Hollywood and also for being the beginning of the “Dollars Trilogy.” The film was followed by For a Few Dollars More in 1965 and The Good, The Bad and the Ugly in 1966.
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A handful of Dollars is a spaghetti Western film from theatre director Sergio Leone starring Clint Eastwood . A handful of Dollars is celebrated for being Clint Eastwood ’s boastful break in Hollywood and also for being the beginning of the " Dollars Trilogy . " The film was followed by For a Few Dollars More in 1965 and The Good , The Bad and the Ugly in 1966 .
